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Short vocational booklet of about me...


Noemi Prazsmary restorer artist

My name is Noemi Prazsmary.
I work as a restorer of antique object and as an artist.
7. November 1973, Budapest, Hungary




I currently work in the Germany.
If you are interested in a conservation work send me an email!

My name is Noemi Prazsmary.
I work as a restorer of antique object and as an artist.
7. November 1973, Budapest, Hungary




I currently work in the Germany.
If you are interested in a conservation work send me an email!

Noemi Prazsmary restorer artist

My restorer activity can be defined:
•  Archaeological finds, museum objects of clay, ceramic, glazed ceramic, porcelain, glass and bone, wood and metal objects completion and the restoration.
• Antique objects and antiques: damaged, broken, incomplete Murano glass decorated antique Venetian mirrors repair and restoration.
Broken, chipped, damaged glass, ceramic, porcelain, and antiquities glass, porcelain, ceramic objects, sculptures,
figurines, vases and other (bone, wood, metal, ceramic) ornaments, repair and professional restoration.
Ornate picture or mirror frame damage to the restoration.
The gilding, silvering and oxidizing of antiquities.

My works to date are - thematically sorted - and the photos you will find in the menu under
" Museum objects " and " Antique objects " presentation pages!

New restoration works are in the " Recently " menu!


Biography, previous restorer activity.

My restorer activity can be defined:
•  Archaeological finds, museum objects of clay, ceramic, glazed ceramic, porcelain, glass and bone,
wood and metal objects completion and the restoration.

• Antique objects and antiques: damaged, broken, incomplete Murano glass decorated antique
Venetian mirrors repair and restoration.

Broken, chipped, damaged glass, ceramic, porcelain, and antiquities glass, porcelain, ceramic objects, sculptures,
figurines, vases and other (bone, wood, metal, ceramic) ornaments, repair and professional restoration.
Ornate picture or mirror frame damage to the restoration.
The gilding, silvering and oxidizing of antiquities.

My works to date are - thematically sorted - and the photos you will find in the menu under
" Museum objects " and " Antique objects " presentation pages!

New restoration works are in the " Recently " menu!


Biography, previous restorer activity.

My restorer activity can be defined:
•  Archaeological finds, museum objects of clay, ceramic, glazed ceramic, porcelain,
glass and bone, wood and metal objects completion and the restoration.

• Antique objects and antiques: damaged, broken, incomplete Murano glass
decorated antique Venetian mirrors repair and restoration.

Broken, chipped, damaged glass, ceramic, porcelain, and antiquities glass,
porcelain, ceramic objects, sculptures, figurines, vases and other (bone, wood,
metal, ceramic) ornaments, repair and professional restoration.

Ornate picture or mirror frame damage to the restoration.
The gilding, silvering and oxidizing of antiquities.

My works to date are - thematically sorted - and the photos you will find in the menu
under " Museum objects " and " Antique objects " presentation pages!

New restoration works are in the " Recently " menu!


Biography, previous restorer activity.

My restorer activity can be defined:
•  Archaeological finds, museum objects of clay, ceramic,
glazed ceramic, porcelain, glass and bone, wood and metal objects

completion and the restoration.
• Antique objects and antiques: damaged, broken, incomplete Murano
glass decorated antique Venetian mirrors repair and restoration.

Broken, chipped, damaged glass, ceramic, porcelain, and antiquities
glass, porcelain, ceramic objects, sculptures, figurines, vases and other
(bone, wood, metal, ceramic) ornaments, repair and professional

restoration.
Ornate picture or mirror frame damage to the restoration.
The gilding, silvering and oxidizing of antiquities.

My works to date are - thematically sorted - and the photos you will find in the menu
under " Museum objects " and " Antique objects " presentation pages!

New restoration works are in the " Recently " menu!


Biography, previous restorer activity.

Professional career

Present Restorer

2004-2014 Arlea Art restorer business
Archeosztrada Kft. Hungary
archaeological excavations, museum activities, restoration


2004-2005 Restorer, conservator
Tragor Ignac Museum
2600 Vac, Zrinyi u.41/a. Hungary


1999-2004 Hungarian Academy of Fine Arts Institute
5 years conservation training program

1998-2004 Conservator
Archaeological Institute of the Hungarian Academy of Sciences
1250 Budapest, Uri u.49.


Professional career

Present Restorer

2004-2014 Arlea Art restorer business
Archeosztrada Kft. Hungary
archaeological excavations, museum activities, restoration


2004-2005 Restorer, conservator
Tragor Ignac Museum
2600 Vac, Zrinyi u.41/a. Hungary


1999-2004 Hungarian Academy of Fine Arts Institute
5 years conservation training program

1998-2004 Conservator
Archaeological Institute of the Hungarian Academy of Sciences
1250 Budapest, Uri u.49.

Professional career

Present Restorer

2004-2014 Arlea Art restorer business
Archeosztrada Kft. Hungary
archaeological excavations, museum activities, restoration


2004-2005 Restorer, conservator
Tragor Ignac Museum
2600 Vac, Zrinyi u.41/a. Hungary


1999-2004 Hungarian Academy of Fine Arts Institute
5 years conservation training program

1998-2004 Conservator
Archaeological Institute of the Hungarian Academy of Sciences
1250 Budapest, Uri u.49.

 

Voluntary work for MA degree ( 2004.01.01- 2004.07.14. )
Conservation work of a mirror from Venice (19. century) which is decorated with glass micromosaics and additional glass application.

MA Project-conservation for MA degree

VENETIAN MIRROR end of 19.th centaury
materials: wood, glass, glass micromosaic, metal
height: 144 cm
width: 88 cm
owner: Tragor Ignac Museum, Vac Hungary

A mirror with decorated frame was very dirty and dusty, the wooden frame was warped, the mosaic inlay was missing from the lower and upper picture area to a great extent, the glass mosaic pieces had flaked, the glass applique was partly lost of chipped and the mirror inlays had darkened. The restoration started with the removal of the applique and the planning of the repair. The next step was reinforcing the frame according to the original construction technique, cleaning and retouching. At the same time, metals, the glass decoration and mosaics were cleaned and the artificial resin repairs of the glass applique and artificial resin copies of the missing parts were carried out. Afterwards the mosaic pieces were prepared for the repair. They were set in the incomplete decoration of the frame, together with the flaked original ones. The silvering of the frame's upper part was followed by conservation of the original mirror insets but reconstruction were set in their places. The last step of the restoration was the assembly of the dissassembled original and reconstructed artificial resin and glass decoration.

• Details •

 

MA Project-conservation for MA degree

VENETIAN MIRROR end of 19.th centaury
materials: wood, glass, glass micromosaic, metal
height: 144 cm
width: 88 cm
owner: Tragor Ignac Museum, Vac Hungary

A mirror with decorated frame was very dirty and dusty, the wooden frame was warped, the mosaic inlay was missing from the lower and upper picture area to a great extent, the glass mosaic pieces had flaked, the glass applique was partly lost of chipped and the mirror inlays had darkened. The restoration started with the removal of the applique and the planning of the repair. The next step was reinforcing the frame according to the original construction technique, cleaning and retouching. At the same time, metals, the glass decoration and mosaics were cleaned and the artificial resin repairs of the glass applique and artificial resin copies of the missing parts were carried out. Afterwards the mosaic pieces were prepared for the repair. They were set in the incomplete decoration of the frame, together with the flaked original ones. The silvering of the frame's upper part was followed by conservation of the original mirror insets but reconstruction were set in their places. The last step of the restoration was the assembly of the dissassembled original and reconstructed artificial resin and glass decoration.

• Detailed •

Short vocational booklet of restorer biography:





Most important vocational works

Present Restorer-conservator
Conserving-restoring of antique objects::
Conserving-restoring of ceramic, porcelain, china, venetian mirror with glass applique and other composit objects.

Conserving-restoring of archaeological finds
Most of them are Roman and Neolithic potteries and Roman glass, metal objects.

Proffesional advisor:
Carry out a training of new restorers at the rescue excavation and organize a new conservation laboratory.

Training
Training of restorer assistant run in conjuction with the Hungarian Academy of Fine Arts-Hungarian National Museum

National monuments
conservation, repair, restoration ceramic, glass, mosaic decoration of these kinds of buildings

2004.07. Voluntary work for MA degree
Hungarian Academy of Fine Arts Institute
Conservation Department
Siliceous Objects Conservation


1998-2005 Conserving-restoring archaeological finds
Archaeological Institute of the Hungarian Academy of Sciences
Budapest
Tragor Ignac Museum
Vac


1996-1998 Conserving at archaeological excavations in Hungary
Zalalovo - Salla-Roman palace





 

Most important vocational works

Present Restorer-conservator
Conserving-restoring of antique objects::
Conserving-restoring of ceramic, porcelain, china, venetian mirror with glass applique and other composit objects.

Conserving-restoring of archaeological finds
Most of them are Roman and Neolithic potteries and Roman glass, metal objects.

Proffesional advisor:
Carry out a training of new restorers at the rescue excavation and organize a new conservation laboratory.

Training
Training of restorer assistant run in conjuction with the Hungarian Academy of Fine Arts-Hungarian National Museum

National monuments
conservation, repair, restoration ceramic, glass, mosaic decoration of these kinds of buildings

2004.07. Voluntary work for MA degree
Hungarian Academy of Fine Arts Institute
Conservation Department
Siliceous Objects Conservation


1998-2005 Conserving-restoring archaeological finds
Archaeological Institute of the Hungarian Academy of Sciences
Budapest
Tragor Ignac Museum
Vac


1996-1998 Conserving at archaeological excavations in Hungary
Zalalovo - Salla-Roman palace

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